Tonight (Sunday dec 22) in Portland! DIVERS - STREET EATERS - FINE PETS at The Know, 8pm!
Tonight!! Seattle! Survival Knife - Street Eaters - Darto - Red Ribbon … All ages, Black Lodge, next door to Victory Lounge
Oh yeah! In this extended moment of coffee induced reflection, we wanted to tenderly thank all of the amazing people in the Pacific Northwest who made our recent tour so awesome! It had been 2 years since our last NW jaunt, and we’d missed you guys. Thanks to all the unbelievably great bands we played with and toured with, the sweethearts who set up shows and let us sleep on their floors, those who fed us, watched us do our thing and dance, hiked to the top of mountains with us, and who hung out and talked about things that matter. When we got home we had the honor of playing the very special This Is Not A Step fest at Gilman in our beloved east bay.
We won’t be playing any local shows for a long minute while we work on our new album, which will be recorded in late August up at Buzz and Howl Studios in Portland with Stan Wright! Keep an eye for more updates on that coming soon, and next time you see us you will be hearing a lot of new songs…
We also have a 7” split coming up soon on Off The Books Records (Seattle) with excellent Carbondale band AUTONOMY. I know this is a lot of info but a lot has happened and is happening, and now you know. Here are a bunch of pics from the tour!
be playiMegan hanging out with one seriously gentle chicken named Penelope in Tacoma at Behn Coady’s house.
The amazing ladies of LOZEN killing it as hometown heroes at the 5th Dimension House in Tacoma - It was the first of 4 shows with them and epic heroes FEDERATION X!
Ben and Beau from FEDERATION X blowing minds at 5th Dimension in Tacoma
Unknown type of Sea Worm (sp: polychaetes) in a tidepool near Bellingham. These primitive life forms are highly successful and have changed little since the Cambrian period, 540 to 490 million years ago. They will outlive us (evolutionarily speaking).
RHOMBU$ played a fun set at The Shakedown in Bellingham. Yes, the drummer is getting a haircut mid-song.
FEDERATION X playing their excellent new tunes to one seriously excited hometown crowd in Bellingham
Portland’s NASALROD heavy progging it up at Slabtown, Portland
FEDERATION X at Slabtown
The Black Petunias of Portland! This morning we played an awesome second PDX show at Red And Black Coffee for the Goofpunx Fest, it was a blast and our only regret was having to skedaddle so quickly after we played to make it to play Seattle that night
The only thing that sucked about zigzagging around the NW was the traffic. Between a major I-5 bridge collapsing, extended rush hour in three densely-populated and closely-located urban zones, and a weird proclivity for people to hang out in the fast lane going 55mph we definitely got a taste of serious congestion.
John hanging on a secret lil’ urban waterfront park in the middle of Seattle. The water was Caribbean-style clear and it was a beautiful grey day
Megan on the same waterfront, Puget Sound in the background all majestic and stuff
LOZEN at the Comet in Seattle
LOZEN at the Comet in Seattle
FEDERATION X at the Comet in Seattle
FEDERATION X at the Comet in Seattle
FEDERATION X at the Comet in Seattle. Last night of FED X/LOZEN/STREET EATERS tour :(
Our buddy Lindsay’s fun punk band LIVING DEADBEATS in Vancouver, BC, playing at Chateau Ouest - we were so stoked to make it back to Vancouver!!
INVASIVES math-punkin’ it in Vancouver at Chateau Ouest
POP CRIMES from Winnipeg played dark and layered guitar postpunk at Chateau Ouest, Vancouver
LIE´ from Vancouver were fast/furious AND atmospheric/gloomy at Chateau Ouest
Super-intense Canadian cigarette packaging. BLINDNESS DEATH DISEASE MURDER DEATH SMOKING!
John and superbuddy Natasha on our hike up Dog Mountain in Vancouver, BC. There was still a bunch of snow, and it was awesome
Skunk Cabbage blooming in a meadow on Dog Mountain, Vancouver BC
Heading up the trail with Megan, Natasha, Lindsay, and Sarah
Megan and John stumpin’ it on Dog Mountain
Skunk Cabbage up close and personal
Turkey Tail fungus?
Gnarly fresh tree-fall and Lindsay
Damn majestic Canadian Rockies at the top of Dog Mountain
Lindsay, Megan, and Natasha look out over Vancouver from the top of Dog Mountain
Megan and Natasha on Dog Mountain
Natasha, Megan, and Lindsay on Dog Mountain
The Canadian Rockies
Megan and the Rockies
Megan and Lindsay
Megan and Natasha
More hyper-realist Canadian cigarette packaging, just in case you couldn’t get enough GNARLY DEATH DEATH DEATH
Rad Street Eatin’ flyer for our second Seattle show, at Heartland…booked by CJ, who is also putting out our 7” split with AUTONOMY!
ACAPULCO LIPS at Heartland, Seattle. TENDER HIPS also played, though our crappy phone pics of them did not turn out usable, alas
A jellyfish (Moon Jelly? Help me out here, Marine Biologists!) in the wild harbor of Olympia on another beautiful gray afternoon
Giant flyer for our show at Phantom City Records in Olympia with SURVIVAL KNIFE, GAY KISS, and WET
WET being heavy and running only 15” speakers at Phantom City, Olympia
SURVIVAL KNIFE enrapturing a hometown crowd at Phantom City, Olympia, great to play with them again. The pics we took of GAY KISS (Arizona) did not turn out to be usable, alas
Excellent final show of the tour back in Portland with ARCTIC FLOWERS and INDUSTRIAL PARK. Again, none of the pics turned out but I can assure you the show was indisputably rad and it was really great to play with AF again
Fires and volcanoes. You can ignore the elements all you want, cars, but they’re gonna get ya!
Megan cheerfully ignoring the elements and rocking a sweet new Solomon’s Reef (Olympia) cap
Our cat Dirtbike getting ready to spazz out for LOS CRUDOS at This Is Not A Step Fest at Gilman, back home in Berkeley. On the real, though, this event was an amazing experience and raised a lot of money and goodwill for the late Sarah Kirsch’s family and a few Trans advocacy groups, as well as bringing some people back to Gilman who hadn’t been there in a few years. Kudos Grace and Pat!
There’s a great show happening TOMORROW NIGHT (April 18) in Oakland at RCA (510 BAD-SMUT for address)! 8pm for real, ends by midnight! SURVIVAL KNIFE (members of UNWOUND, WESTERN HYMN) - STREET EATERS - NO BABIES - REPTILIAN SHAPESHIFTERS! All Ages, $5. …share this if you feel so inclined…
BTW, here is some live footage of Street Eaters playing at the York House in Highland Park last weekend, shot by Todd…
So! It has been a couple of months since the last blog update, and we are currently on tour in SoCal and the Southwest for a short fun jaunt that we’d really like to share with you. First, however, we never completed our Europe tour blog from November, 2012 - After Hungary (see prior blog entry), we had a bunch of great shows in Germany and finished up with a fun night at OCCII in Amsterdam. Here are a bunch of photos from those shows, the places we went around them, and some of the great people we had a chance to meet. Special thanks to Flo at Cut The Cord That…Records/Trapdoor Tourz for putting out our new EP and making the German dates happen.
Real quick, though, here is the tour poster and remaining dates for our SoCal/Southwest tour we are on RIGHT NOW:
Specific info here… http://streeteaters.com/track/shows-tours
Yours trulies in front of the infamous Zoro in Leipzig.
The gentlemen of ABSURDO (touring the West Coast this May, by the way - dates will be posted here soon: http://absurdo.interrupciones.net/index_eng.html) in their new ride.
Definitely not ABSURDO’s new ride. I guess cops aren’t much brighter in Europe than they are in the states.
The crew at Nexus in Braunschweig, delicious breakfast of many breads n’ spreads at center.
Did I mention that we were gifted this enormous chunk of ancient castle foundation in Szeged and that we were using it for a kick drum stopper for the rest of the tour? It weighed about 60 pounds and dinged up about 12 stages.
In the basement squat bar Trickster in Berlin, hanging with our most most excellent new friend Laura (left), who splits her time between Leipzig and Berlin. The bartender was also an awesome dude. In the middle is our old comrade Ella from Athens (GA.) heroes DEAD DOG, who just happened to be in the neighborhood.
Our Canadian buddies Unfun ruling it at Trickster in Berlin - a last minute show that turned out absolutely awesome, packed and crazy.
Bay area native Mikey Porter, adapting well to his new life as office manager/screenprinting Meister, Frankfurt.
Turbomate, only 1.50 euros. It is either a delicious new alcohol/Yerba Mate combination or a revolution in speed dating. AJZ Squat (est. 1968), Bielefeld.
Megan and Kelly (drummer for P.R.O.B.L.E.M.S., also plays for PIERCED ARROWS) at AJZ. P.R.O.B.L.E.M.S. were awesome, classic Poison Idea-inspired Portland punk.
Our recording engineer/spirit guide Matt Waters gets a chance to model the latest free store fashions, Freiburg. He was working in Zurich that week and getting to see him was an extremely pleasant surprise.
IS DODELJIJK, a great and very young noisy/raw hardcore band in Erlangen. ABSURDO played that show with us, too, and were great as usual. Our hosts Jess Threat and Andi were some seriously good people, really looking forward to seeing them again.
ABSURDO, getting gnarly again at Juz in Mannheim.
….and us STREET EATERS, also getting gnarly in Mannheim.
This would be us STREET EATERS, taking a quick pause from being interviewed live on the radio in Hildesheim before our killer show at Veb.
A video of us playing at Veb.
Life imitates art on the German streets.
Yes, that is a giant ice cream cone smooshed into a building in Koln.
The legendary squat space OCCII in Amsterdam, where Bianca set us up a super fun show to wrap up our tour. Set in a neighborhood that has slowly gentrified around it, the front facade was rebuilt by local punks to reflect the beautiful woodwork of traditional Dutch construction - a sharp contrast to the flashy modern, yuppie-ish architecture around it.
Megan hanging out in front of OCCII.
Lady-fronted rockers HELLO ANIMAL played just before us. Sadly, it was their last show.
We played until 2am then had to re-pack everything and figure out how to make everything fit in our luggage without incurring crazy overweight luggage fees. By the time we were done, it was 4am and we got up at 6:30am for our 9am flight - had to return the car first, too. It was intense. The flight was delayed, of course, so when we finally made it to our connection in Heathrow (London) our flight to the US was due to leave in 30 minutes. We had to run across the entire airport (about 1.5 very crowded miles weighted down with our heavy-ass carryon luggage full of vinyl), and stumbled aboard the plane with 2 minutes to spare. Our seatmate was not pleased with our stinky, sweaty selves, but Megan charmed her by stealing extra little liquor bottles from the cart and sharing.
Homeward and victory. xoxox Europe, we will be back.
Day 17: Imperia, Italy
Megan and the Italian puuuuunx outside A.C.P.O. Clubhouse
After leaving Nice, we made our way on the Cote d’Azul towards Imperia, Italy. The drive was really intense - lots of tunnels winding through mountains along seaside cliffs. It reminded me of Devil’s Pass on the CA 101 - totally dangerous and totally amazing. The torrential rains that fell the entire drive made it a bit more intense, as well, but the drive was only a few hours long so we enjoyed ourselves and didn’t get too tired out.
The Imperia show was organized by our friend Alice, who is a part of the Babilionia collective, a super-energetic group of Italian punks who had recently lost their long-running autonomous show space (15 years!). Nonetheless, the collective was really rad and chose to do our show anyway, and rented out a bar that was the clubhouse for the local Communist Party Dock Workers Union. The space was really cool and down by the boardwalk/waterfront - kinda like a restaurant/bar/clubhouse/show space type-thing. We were really excited to be playing a show there because spaces like this do not exist in the US.
Inside the clubhouse
Naturally, there was Communist memorabilia all over the walls, including lots of flags, event posters, logos, and the standard photos of Marx and Lenin, as well as more local heroes/legends of the Party dating as far back as the 1930s. There was also a big display of gnarly-looking hooks and fish-gutting implements mounted on a red velvet background, which were also assumedly useful for gutting the local fascists and/or exploitative bosses.
Nicely-mounted boss gutting implements
Before the show, we set up our stuff and then we sat down for dinner with all the collective members. I stumbled through a few awkward conversations trying to practice my Italian, but it was a little rough cause I haven’t really spoken the language since 2005 when I lived in Italy. At least I got people to laugh. The other band was legendary Imperia hardcore band CGB, who have been around since 1987. They were loud and really fast, great classic hardcore, and I really enjoyed their drummer.
The show was really great and went super late. The collective was having a meeting trying to decide their future direction with finding a new space, and since it was late and people were kinda drunk, disagreements dragged on. Even when those kind of talks last longer than usual, I understand that is how consensus-based process works and I think that those discussions (drunkenly or not) are what makes a collective stronger.
We stayed at Alice’s parents’ house, perched on a cliffside in the hills above the town. The room where we slept had tons of classic comics and a mattress - we were set. In the morning I met Alice’s mom and dad. They were working on getting the roof repaired, but still managed to hang out with us a little. Her mom was very sweet and gave us some breakfast, as well as a jar of homemade plum jam to take with us. Her dad showed us his new guitar, and even played a bit of blues. It was really nice.
Hanging out at Alice’s house
We were sad that we couldn’t stay for lunch, but our next show was in far eastern Slovenia and we had to drive basically across all of northern Italy and Slovenia in 2 days, so we had to cut out. Here’s a video of us driving out of Alice’s driveway, and almost off several cliffs:
Day 18: Duino
We drove and drove, thinking that we might try and stay in Trieste for the night. We were worried about the van getting broken into, and also being on a budget, so we ended up staying outside of Trieste in a small town called Duino. Duino has a castle, and some cool walking trails along the coast where German poet Rainer Maria Rilke waxed rhapsodic about the Mediterranean, so we ran around along the cliffs and looked at the ocean.
The oh-so-picturesque Mediterranean Sea, all sublimely lit and laughing at our scruffiness
This was the first day off we’d had in 3 weeks, and it was really nice. We ended up watching a little TV, which was interesting because we were close to Slovenia so they had a Slovenian version of American Idol (or whatever Star Search-type thing is happening now), complete with Slovenian celebrities as judges and some really weird karaoke talent show action. All the same archetypes seemed to hold: Some judges were nice and some were assholes, people exploded in emotion (tears or squeals) as decisions were made, and the whole thing reeked of incredible, bizarre desperation. This desperation turned downright sinister as it became apparent that the goal of the show was to get one of the judges to personally take you under their wing as a producer or whatever…The winner was a barely-pubescent, emotionally-fragile Eastern European Justin Timberlake wannabe, who seemed to have been “chosen” by this super-creepy fortysomething judge-dude, cue ball bald, wearing wraparound Black Flys shades and a shimmery silver jacket+pants ensemble. The judge put his arm around the kid and walked him off into the darkness backstage, all to a crazed ovation from the audience. Something was obviously very wrong, but clearly we were powerless to stop it.
Slovenian Idol has a mesmerizing effect
Day 19: Murska Sobota, Slovenia
We soon took off towards our next show in Murska Sobota, Slovenia - we were really close to the border in Duino, though we had a long drive ahead still since Murska Sobota was on the opposite (Eastern) side of Slovenia. When we crossed the border, we saw what looked like a burned out shell of what used to be the border patrol buildings. It was a pretty extensive-looking complex, which makes sense since this used to be a major border between the Communist state of Yugoslavia (which Slovenia was a part of before the former country’s dissolution in 1990) and the Capitalist state of Italy. Now, the border buildings held nothing except for shattered windows, lots of graffiti, and a few creepy-looking cameras. The Slovenian freeways were just like all other European freeways, but we were a little freaked out when we’d pass through toll booths, and there was no machine or person to take our money. There were lots of cameras, though. What the hell? Are there just no toll roads in Slovenia? We saw a cop and tried to get his attention to ask, cause we didn’t want to keep getting fines if the cameras were fining us, but he ignored us.
Turns out that if that cop had talked to us, he would have demanded at least 300+ Euro for not having what’s called a vignette. In most Eastern European countries, you have to purchase a vignette from a gas station for around 10-15 Euro per week; it is a sticker that goes on the inside of your windshield. It’s a way for countries to collect tolls for the use of their highways without having to spend money on the infrastructure of toll booths. So, halfway across Slovenia, we bought a vignette, and hoped that the cameras wouldn’t send us tickets in the mail. So far so good…..
The town Castle of Murska Sobota. We played in there.
We got to the town of Murska Sobota in the late afternoon. The show was in the town’s old castle, which is now used mainly as a community center - we got to drive right through the front gate and park in the central square, next to the venue. Our host, Tomica, was super nice and really made us feel at home with snacks and all the cappuccinos/caffeinated beverages we could drink, as well as a delicious meal. We did a really extensive sound check, which was good cause it gave me a chance to fix a lot of broken things on the drumset, and John got his amps sounding perfect. We had a great time hanging with the other band, VLASTA POPIC from Croatia (about an hour away). I was especially excited to meet their drummer, a fellow lady drummer, who was totally killer. I can’t say enough great things about this band. We heard hints of THE EX with GANG OF FOUR and DOG FACED HERMANS, mixed with the more-melodic SONIC YOUTH hits, but these comparisons are from our perspective and don’t acknowledge that they are totally from their own musical context/tradition in Croatia+the former Yugoslavian states - something we had heard bits and pieces from in the past, but have discovered more as we have checked out other art/punk bands from the former Yugoslav republics over the last 30 years like REPETITOR, DIE HAUSERS, JARBOLI, OBOJENI PROGRAM, ŽEN, etc. We’ve played the shit out of the Vlasta Popic cd for friends along the tour and since we’ve gotten home - they are so awesome!
The excellent Vlasta Popic
There was a great crowd at the show, probably because not much happens in Murska Sobota other than shows in the castle, and I think they really got what the two bands were doing. I wish we had some footage from the show, but we were so taken with the castle and all, we forgot, so we just have a few pics and a short video of us driving out of the castle.
After the show, we went to a nearby hotel that was walking distance away; our host had a couple of small kids at home so he arranged with his friend who works at the hotel to put us up for the evening. We were so excited to have a hotel room, that never happens on tour!!! When we walked in we asked if it was a smoking room, and the lady said that all hotel rooms in Slovenia are non-smoking, and we were not allowed to smoke, so of course this was a non-smoking room. Funny thing was that the walls, bed, and pillows, curtains, and carpets were drenched in nicotine and there was a fresh pile of ashes next to the bed. So, perhaps the room because nonsmoking 20 minutes before we showed up, right after they told the ex-KGB agent who’d been laying in the bed smoking and watching TV since 1990 to beat it.
We took showers and jumped up and down on the smoky mattress for an hour or so, walked through a park with a Stalin sculpture and a sculpture of the Soviet liberators of Yugoslavia from WWII, and watched some TV. Since we were close to the border with Hungary, we tuned in to what seemed to be the Hungarian version of American Idol. It was similar in creepiness to Slovenian Idol, really (details a couple of paragraphs back), though Hungarian Idol also had the sad-yet-kind-of-hilarious subtext of being made in a country with its own currency (the Forint), that is worth much less than the Euro or dollar. Thus, the grand prize was ONE MILLION FORINTS - approximately five thousand American dollars. 5 grand just doesn’t seem like enough money to potentially subject oneself to the very private mercies of the world’s creepiest judges/”producers”, even in a relatively poor country. But hey, I guess some people want to be famous no matter what the price - even if that involves wraparound shades and shimmery silver shirts.
Memorial, in the park, to the Soviet forces that retook Murska Sabota from the fascists during WWII
Day 20: Ajka, Hungary
The next morning we escaped the nicotine den of our room and lurked our way to the hotel lobby, where we were expecting some stale rolls and coffee for breakfast. Turns out eastern Europe takes breakfast really seriously and there was an amazing spread of all sorts of things pickled, baked, and breakfast-y. We also encountered a phenomenon, one we would encounter again numerous times in Eastern Europe, where parking lots are totally open to enter, but very securely locked when you want to leave. In other words: IT’S A TRAP! We eventually escaped the land of delicious breakfast and headed towards the Hungarian border - for some reason, though, the GPS led us there via tiny, 1.5 lane roads in the middle of dense forestland, rather than the main highway that we could have easily taken (at least according to the map we should have consulted in advance). The “border” looked like something out of a postapocalyptic movie from the 80s, just a long-smashed-up toll booth in the middle of nowhere in the forest, replete with a broken striped gate lying in the grass off the road. We were freaking out because it was a Sunday, and every village we passed though was completely deserted and shuttered up, like they were preparing for an attack from Frankenstein or something. Where were we going to find a vignette? Also, our Euros didn’t work anymore!!
They turn into rampaging Golems at night
So, right before we hit the freeway, we found a gas station that sold us the vignette. We got a few thousand Forints, too, which was like seven dollars. We got on the real highway and drove for a while and then got really, really sleepy - the flat agricultural landscape was pretty but had a tranquilizing effect after a while. There weren’t many stops on the highway, but we managed to find a turnout that fit our van like a glove. We slept for a while, until we heard somebody walking up to the van. I thought it would be cops, but it was just a concerned resident that wanted to tell us where a motel would be, cause John kept saying, “We were just trying to find a place to sleep”. Confusion set in, and it was time to push off.
The only hill for several hundred kilometers
Luckily for us, right in front of our van was a very picturesque small mountain (think a little bit larger version of Albany Hill), surrounded by otherwise flat landscape, which had some pretty vineyard villages, and also supposedly had a castle on it (at least according to our GPS). We had some time before we were needed at the show, so we ascended the one-lane roads of the mountain in our truck. There were lots of vineyards and pretty country farmhouses, and we later learned that this was actually a famous spot in this region of Hungary. We parked the car and went on a really cool hike through the surrounding woods till we got to what seemed like the top of the mountain, hoping to find the castle, but there was none. Later we found out we were on the wrong side of the mountain (of course), but it was getting dark and we had to go. We did get some nice views of the surrounding country, and it was good to get outside for a while.
Mysterious path up the Hungarian hillside
We got to Ajka Town later that evening, and met Gagarin and Mary Anne, who set up the show. They introduced me (Megan) to the Hungarian drunk Palinka, which was kind of vodka-like, but much stronger. It didn’t get me drunk per se, but rather warmed me up from the inside. The show was in a community space, a former Communist Party event hall. Even though it was a little weird that we were the only band, people came to check us out, and some even brought their kids.
Some awesome art in Ajka, Hungary
It was definitely a different kind of show, much more local - and hanging out with Mary Anne and Gagarin was the best part. They are avid animal lovers, and we stayed in their house with, I think, 3 dogs and 2 cats, all of which got along with each other better than most humans do.
Day 21: Veszprém, Hungary
We really enjoyed Mary Anne and Gagarin’s company, and the next morning we ate Langosh (which is a kind of fried bread with cheese in the middle) and went for a walk around their town, Devescher. In conversation, they kept mentioning a Huge Catastrophe and “The Red Sludge” that came in the morning, and I had no idea what they were talking about, until we went to the town’s museum. It was closed but a friend of theirs (the caretaker and artist-in-residence) let us in.
Then things became clear- the Red Sludge was actually a huge industrial “accident” in 2010, during which a nearby chemical plant’s levee’s broke, releasing 1 million metric tons of caustic red sludge that was the byproduct of Aluminum production, spilling throughout several villages, though with the worst damage in Devecser. Lots of people and animals died, and numerous homes and buildings were destroyed. The rivers turned red, overflowing by a 7-foot surge, and all the life in them died. Gagarin and Mary Anne’s old house was located directly in the floodpath, and they sustained severe burns on their hands and legs going outside to save their animals from the torrent of sludge. This catastrophe happened 2 years ago, and due to corruption it is only now being investigated. The chemical company (which is partly owned by the current right-wing Hungarian president) maintained that the Red Sludge was harmless, but people got huge chemical burns wherever their skin made contact, and several people died from exposure to the chemicals. The strength of the flood also caused a lot of people to drown. Here’s a wikipedia page about it:
Items from Devecser that were covered in corrosive red sludge
It is hard to see injustice like that so up close and personal, but it really serves as a sad lesson in what can happen when corruption and a near-total lack of environmental regulations come together to create a human-made disaster. I hope that the people of Devecser can get justice for what happened to them.
We spent a nice afternoon hanging around with Gagarin and Mary Anne, and thought we’d have the night off. However, a guy we met in Ajka (named Aron), who is from the nearby city of Veszprém, dropped us an email offering to set up a last minute show for us in his band’s practice space in that historic city. We were happy to have a chance to play another show, so we got our stuff together and hit the road…Gagarin and Mary Anne rolled along with us, too. We got to Veszprém a few hours before the show and were treated to a tour of the historic city center by Gagarin and Mary Anne, with Mary Anne doing most of the talking since Gagarin is a bit older and grew up in the Soviet Bloc era, where he learned Russian at school as a second language rather than English.
Veszprém was an important seat of power in Hungary from around 1000 A.D. until 1918 A.D., starting as a major administrative and religious center (of the Holy Roman Empire) for the Magyar (Hungarian) kings beginning with Stephen I, and continued to maintain its importance up through the conclusion of WWI with the dissolution+defeat of the Austro-Hungarian Empire. The grandeur of the buildings and monuments certainly reflected this history, and it is really interesting when visiting Hungary to realize just how much political power used to be centered around the Hungarian rulers in this region, and for such a long time - a history that most Americans are not really privy to. This has led to some bitterness amongst nationalists, of course, and Gagarin+Mary Anne told us a bit about current misuse of such national symbols and misplaced pride in old empirical ambitions. Apparently, the recently-elected Hungarian president (who partially-owns the Aluminum plant in Devecser that destroyed the town, and who we would hear more about in the following days) has some discomforting fascist tendencies, particularly in his strong promotion of long-dormant Hungarian nationalism and an increasingly repressive focus on Roma (Gypsies) as the source of all the country’s crime and social problems.
Soon the temperature started to drop well below freezing, so we headed over to the practice space address and began to load our stuff in for the show. An enthusiastic group of local punks and metalheads were gathered around in the entry area smoking and hanging out, and the tiny-but-awesome practice space we were to play in was all ready for some music to start, with cabinets lining the walls stacked up like legos and a PA rigged from a couple of bass amps chained together. Two local bands played before we did, and I unfortunately don’t know their names, but one was a wild noisy hardcore band with a spazzed-out singer (who turned out to be an art professor at the University) and the other was a hardcore/metal hybrid with some serious technical guitar shredding. We played and people were super-enthusiastic, even making a human pyramid at one point. It was a blast.
Hangin’ with the puuuuuuuoonkkkksssssss in Veszprém
After the show we went to Aron’s parents’ apartment and stayed the night, on the 5th floor of an old Soviet-style apartment block. It was really comfortable and nice, Aron’s parents were very welcoming, and Aron offered to let us sleep on his bed for the night - his room was covered with stickers of bands+labels we know and like (he is a big fan of Alternative Tentacles Records), and we felt so at home that we fell asleep in 10 minutes flat.
Aron, us, and our new burnt-out Trabant
Day 22: Szeged, Hungary
In the morning, we woke up and Aron made us some tasty breakfast, then we said our farewells and headed towards Szeged, in far southern Hungary near the Serbian border. Our GPS started to get confused (a problem we would continue to have as we delved deeper into Eastern Europe), and we got old-school with the paper maps…it was kind of liberating, actually, and erased some of the always-lurking-at-the-back-of-our-mind worries that the GPS was leading us unwittingly into some kind of trap. With the help of our map and some specific instructions from our host, Attilla, we made it into Szeged by late afternoon and went straight to Attilla’s house in the countryside to relax before the show. Attila lives on an awesome house located in the middle of farmland with his girlfriend, Dori, and a bunch of cute dogs. Since everyone involved were intense punk intellectual-types (Attila is a scientist), we were instantly comfortable with them and we had some good conversation prior to the show, not to mention some amazing fresh bread with delicious lima bean soup cooked from beans they grew in the yard.
Yes, there are huge eagle’s nests all up on the the top of telephone poles in towns across rural Hungary
After we ate, we all headed into town to go to the bar (Jazz Cozmica) where we were booked to play later that night. The bar was a small, cozy, table-seating style place that usually books less-abrasive fare than us (we were playing by ourselves), but seemed happy to have us there and were very accomodating. Interestingly, when we arrived 2 hours before the show, there was a huge crowd (mostly middle-aged) there to watch a famous Hungarian poet. He set up onstage next to our amps and drums and began a lengthy reading, entirely in Hungarian of course. For us, knowing literally not a word of Hungarian, it was a bit like the limbo of listening to Vogon Poetry in Hitchhiker’s Guide To The Galaxy, except it was just confusing rather than repulsive.
Megan in Jazz Cosmica
Right after the poet finished, the bar told us to go onstage and do a brief sound check. This was complicated somewhat by the presence of several tables of old ladies sitting inches from the amplifiers, but it took about one note from the bass to send them headed for the exits. The bar quickly emptied out, and almost immediately filled up again with several dozen artsy weirdos, partiers, and punks who had apparently been outside smoking on the sidewalk; it turned out they were all waiting for the show. By this point we were pretty stoked, and had a great time playing a long set (well, for us anyway - I think it was 40 minutes) in front of some very enthusiastic Hungarians.
Attila, who had driven separately, decided to leave his car in town overnight and catch a ride back with us so he wouldn’t have to drive drunk, squeezing in the small space between the seats. When we got close to his house, we saw a long string of lights on the horizon nearby - turns out that it was the Serbian border, probably one of the only borders in Europe that is still protected. A quick look at our emails confirmed that Flo had still received no contact from the booker in Poland, who was supposedly working on 2-3 shows for us starting the next day. We decided to stay in Szeged with Attila for a day, since it looked like we had at least the next one off. Meantime, Attila started sending emails out to see if it was possible to set us up with a last-minute show in Budapest.
The next morning we woke up and began a nice day off, hanging out with Attila and Dori, eating good food, and getting a guided tour (by Attila) of Szeged’s city center. When we went back to Attila’s house, we all hung out talking until late in the evening again, and Attila gave us a 7” of his raging raw hardcore band Rakosi, who are awesome…all of their lyrics are apparently based on modern Hungarian folk tales, the kind of intense lurid tales of murder and intrigue that you would hear coming from a tough old drunk at a local bar. Turns out Joaquin from Limp Wrist/Los Crudos put out their 7” in the states. We went to sleep still not hearing any news from Poland (Flo had sent out 10 emails to the guy in the last week alone) and figured it was a lost cause, so Attila stayed up late chatting online with his buddy Viktor in Budapest about setting up a last-minute show.
Headless love springs eternal
Day 23: Budapest, Hungary
When we awoke late the next morning, it turns out that Flo’s contact in Poland had written him back, and apparently had two shows booked for us. One of them was that same night in Krakow, about 10+ hours away across the mountains of Slovakia, and the next day’s show was in Lublin, 5 hours from there and close to the Belarus border in Poland’s far east - and the show following Lublin was in Leipzig, Germany, about 11 hours away. Being totally insane, we immediately began preparations to blaze our way to Poland and play the two shows. A moment of internet research, however, gave us serious pause - it turned out the show in Krakow was booked the day before, had no other bands, no promotion, and was supposed to start at 6pm - which would have made it physically impossible for us to get there in time. The show in Lublin definitely had promotion, but it had two other touring bands from afar, plus it seemed we were added to the show last-minute so we were not on the flyer or other promotional materials. As we began to seriously question the rationality of adding a total of 22+ hours of driving in rural Poland over 3 days to be able to play these shows, Attila told us that Viktor had been able to set up a last-minute show that night in Budapest - 2 hours away and en route to our next scheduled show in Leipzig. We made the logical decision and cancelled the Polish shows, with a promise to make it there next time, and breathed a sigh of relief at having ducked a logistical bullet.
Attila and Megan at Szeged University
We hung out at Attila and Dori’s house for a few more hours, said some sad goodbyes, and headed into Budapest in the mid-afternoon. We drove through crazy traffic in the city center, gawking the whole time at beautiful architectural monuments surrounding us while heading straight to Viktor’s apartment, where he let us in and shared some tasty pasta with us. Soon, Viktor went to work, and we decided to go walk around Budapest a bit. Budapest is a beautiful city, and we wandered all around the central castle which gave us a great view of the entire cityscape. As it grew dark we headed back to Viktor’s apartment, where we met his roommate (who was in one of the bands playing the show that night).
Soon Viktor came home, we all hung out for a while and had some good conversation about all things international punk (turns out Viktor writes a column for MRR), and headed out towards the show. The show was in the basement studio complex of an old aluminum factory, which still has areas for industrial use; the space was called Bugloi Terem. There was a pretty big crowd of kids there, super enthusiastic and partying doubletime on a Tuesday night at a last minute show. The PA consisted of three practice amps stacked atop each other and lashed to a support pole in the center of the room, it sounded pretty good+distorted.
The other bands were awesome, all were oriented around raw hardcore but definitely had their own takes on the sound. PISS CRYSTALS (Viktor’s roomate’s band) played first, and almost sounded like an Eastern European version of early Husker Du and heavier Dinosaur Jr. stuff but in space; strong melodies and a lot of velocity with weird guitar effects and lengthy instrumental interludes. VALAMI played and were great as well - stripped-down, reverb-washed fastcore that was somewhere between weird Japanese HC and 80’s Finnish HC. By the time we played, the kids present (mostly dudes, as were the other bands) were definitely sauced on cheapo 40 ounce malt liquor-type and hard cider beverages in plastic jugs that looked like liter soda bottles, and chain smoking cigarettes at an alarming rate. Everyone seemed really excited that we were playing, and the energy level was super high - it seemed like people would have danced if there was room, but the tiny practice space was pretty packed. We had a great time, and were super grateful to have such an excellent last-minute show right when, up until that morning, we thought the day was going to be a wash.
After the show, we managed to squeeze our stuff out of space between groups of wildly-gyrating and intensely-loaded Hungarian punk dudes, who were all listening to Hungarian rap (which actually sounds pretty damn good - the language sounds good with rap), dancing crazily, and wrestling with each other. We headed back to Viktor’s, where we arrived at around 4am, and crashed out - Viktor had kindly let us use his bed, and was sleeping in the loft above next to his roommate (who had to wake up for work at 6am!). Definitely a good night.
What’s behind door #2…?
Day 7: Nottingham - Final night in the UK!
Our cousin Ray and us in Nottingham
The trip to Nottingham was pretty brief and uneventful, sticking to the motorway the whole time. Finally, we got used to driving on the wrong side of the road, only to know that tomorrow morning we would be switching back. Our last show in the UK was at a recording studio/DIY show space called JT Soar. Joe C and the other guys who set it up were super nice and fed us falafel, and we were also stoked to be playing with our friends from the Sheffield show, ACE BUSHY STRIPTEASE.
Ace Bushy Striptease
The other band, COLLIDER were really great as well, playing hard and fast 80s-type post punk with a strong melodic core. Our cousin, Ray (aka AMOEBA THE SINGLE-CELLULAR BAND), met up with us before the show. Ray just graduated high school and was on a UK adventure of his own. His brother bought him a ticket to London for his graduation present so he had a week or so to bum around England. Needless to say, we were thrilled to see his face and hang around with him - he had been trying to catch up to us for a few days and kept getting lost+foiled, even having to spend the night at the bus station in Bristol at one point. Fortunately, he found us this time, although our hangout was regretfully brief since we had to leave town right after the show.
The show went pretty late, and around 1am we packed up and headed out toward Dover, so we could catch our early morning ferry to Calais in order to make it to the show the next night in Caen. What transpired was a drive into the dark hours of the night, followed by a nearly-failed search for a place to crash. We found a hotel right by the ferry dock, where we slept nervously for 4 hours, got up, and then boarded the ferry, which was late - again.
Day 8: Caen, France - Back to the Continent
Julien, Megan, and our Peugeot
John at our merch table, Caen
Deliriously, we made our way across the fog-shrouded Normandy countryside to our first show in France. By the time we made it to the venue, we were on our 7th winds and ready to do our thing. Julian, the organizer, greeted us and showed us the show space in the basement of a bar. The whole building was beautifully situated on the side of a small cliff, above a monorail track and below a picturesque medieval church. Oh, and there was a cat that looked like Hitler:
This cat is obviously collaborating with the Nazis, but at least being cute while doing it
The first band was called KIDS FROM THE PACK, which was Julian playing bass with his friend singing on guitar, backed by prerecorded drum tracks. It reminded me a lot of Dinosaur Jr., with casual vocals and noisy guitar. We got used to the lack of a live drummer after a while since the songs were good, and we enjoyed the set. The second band was LLAMMAME LA MUERTE , from Le Mans, who were another two piece - guitar and drums this time. Guillame, the guitarist, helped us a lot with contacts during the planning stages for this tour. They were super artsy, noisy, musically progressive, and fun to watch. They wore pink lingerie, jogging shorts, and tank tops and looked hella cool while doing it. We got their LP and I’ve been listening to it a lot at the house. The album artwork is particularly amazing.
Llammame La Muerte
The show was great and people were very enthusiastic. We slept over at Julien’s house afterwards, all the band members snug in one room on futons and sleep mats. I didn’t get a lot of sleep because there were a couple of people having noisy sex for basically the entire night right next to someone else who was snoring their head off. It was kind of hilarious, though, and definitely an interesting (if somewhat stereotypical) introduction to France.
Here’s some video from our set in Caen:
Street Eaters live in Caen, parts 1 and 2
Day 9: Saint-Bazeille, France – School for Troubled Youth
Megan sneaks up on Earth using the Moon’s wartlike shadow
We drove far south into the countryside to a school in a small town called Saint-Bazeille, a show hooked up by our good friend Seb Radix in Lyon - Seb put out Rusty Eyes on tape last year (with lyrics translated into French!) and booked almost all of the French shows, actually, and was meeting us soon in Paris to join the tour with his one-man band. At Maison Familiar Rurale, in Saint-Bazeille, we were greeted by our host, one of the main school heads, a wacky good-natured bear of a guy who had learned English by listening to classic rock records. He really liked Rage Against the Machine and the Red Hot Chilli Peppers too, as we found out a lot of French music nerds do - it seems our American musical snobbery/compartmentalism and politically-correct baggage doesn’t always readily translate into other contexts, and the seeming contradictions in musical taste displayed by some of our French hosts definitely proved to be more entertaining than annoying/douche-y.
Dinner Party at the Continuation School
We were fed an amazing meal and our host had us (well, me anyway since John doesn’t drink) try a whole slew of wines, because he was definitely a wine guy. He was pretty much toasted the whole time we were there. We also met and dined with Fred, who is Seb’s friend and Saint-Bazeille’s liason to the wider world of punk, and who actually booked us for the show. There were also a couple of good-natured young dudes whose job just seemed to be to hang out and get drunk. There was also this amazing, sagely old dreadlocked hippie named Michel who pretty much saw the entire 60s from the front lines (I think he said that he helped with the light show for Syd Barrett-era Pink Floyd at some point) and just stayed countercultural up to the present instead of selling out. His English was fairly impeccable, but since he is seriously hard of hearing the conversations didn’t necessarily make linear sense. The show space was set up in their gym with fancy lights and monitors that we later found out didn’t work, but that didn’t matter anyway since Michel was our sound guy and (as mentioned previously) he is pretty much deaf - which also meant that everything up front was nice and punishingly loud, so we could hear it all in the main speakers anyway.
Ok, I’ll admit that we were too nervous to take pics of the kids, but here’s some more food porn to distract you because DAMN that food was good
Playing our set in front of 50 or 60 French teens was quite the experience. A lot of them had never seen live music before, and it was really cool watching them react. Some of them wiggled and screamed, some tried awkwardly to dance, and others quietly watched from the side and pointed their phone cameras at us. It was probably our most documented show ever, but also the weirdest. I wasn’t sure if they understood what we were doing, or were into it, BUT afterwards they all surrounded us and demanded photos. I was super gross and sweaty, and I was surprised any of the kids would want to get within 5 feet of me, but they insisted and there’s a ton of shell shocked pics of us standing next to French teens floating around somewhere on the internet now. We’ll probably never see them, however, since they are most likely posted to some obscure (to us) French social networking site for teens that we don’t even know exists.
The world’s most straight-edge farmhouse, southern France
The next morning our host, who had already had a few and was making racy jokes that made all the other teachers blush, dragged us around to all the classrooms to say goodbye to the kids. They were super sweet and cheered [John: And I think all the teenage boys were in love with Megan]. I wish all punk shows were that enthusiastic. There were a lot of girls at the show who were really excited to see a woman play music, especially a traditionally male-identified instrument such as drums. Hopefully some of them develop the idea to play some music themselves. After politely refusing our host’s entreaties to guzzle down some local hard liquor before we left (at noon!), we said our goodbyes and headed towards Pau.
Day 10: Pau, France - Confusion then triumph
The beautiful posters they made for our Pau show, art by Yoann Puissegur
When we got into town, we went to the address we had for the show (at Localypsyo) and found an empty lot. This did not look good. We spent the next hour driving around trying to find a payphone to call the promoter. Pay phones don’t seem to exist in France anymore. We finally found one, only to discover you had to buy a special phone card to use it. The cheapest phone card one can buy is 7 euro. After much deliberation, we bought the card, only to discover that if you don’t speak french you can’t use a pay phone because the automated french lady voice asks you a bunch of questions you can’t answer. I think at one point I somehow got the call to go through, but no one picked up the phone. We were starting to regret opting to rent an internet wifi hotspot thing instead of a cell phone.
However, using our wireless hotspot thing we rented, we just decided to wholeheartedly embrace The Future by going online and posting an SOS message on FB – addressed to the whole town of Pau. To our relief people going to the show quickly pointed us in the right direction, and we finally figured out the right address. Apparently the internet is full of lies, and information (especially dicey stuff such as a DIY space address) is often outdated, big surprise.
Either way, we were so happy to finally make it to the show, and were greeted by our amazing host, Stephan, who was out in the street. The show space was in an abandoned warehouse, and was royally set up for such occasions. Stephan, and the other members of booking collective A Tant Rêver Du Roi, fed us and the other bands lasagna, my favorite food, and some really fancy desserts.
The first band was called VIVA BAZOOKA, and they were from Basque country in the Pyrenees Mountains (not far from Pau). They were a two piece instrumental with drums and guitar, kind of math-rocky and very musically proficient with a great drummer. The crowd grew and were super enthusiastic. The second band were called STRASBOURG and they were from Bordeaux. They had guitar, bass, keyboard, and violin, and the music was driven primarily by the violin, which was run through a lot of effects and produced some very cool sounds. They projected some really interesting videos while they played, and usually bands who do that are boring to watch, but they weren’t boring. I had a hard time deciding to watch the video or the band, because I liked both.
Yoann, Stephan, Enzo from A Tant Rever Du Roi crew with Megan (second from left)
Here’s some video from our set – it was really wild and fun. Stefan and his crew really blew our minds with this show – it was pretty awesome. We stayed the night with our friend Enzo at his quiet house on the outskirts of town, and after breakfast in the morning we started our long drive to Clermont-Ferrand.
Day 11: Clermont Ferrand, France - Spotlight on crime
We ended up on this show pretty last minute, after it was already booked with a Rockabilly band and a Surf band - we were just happy to have a show that night with a chance to sell a few records, since Pau to Paris is like a 10 hour drive with very high road tolls (as there are all over France). They had us play for 15 minutes early in the evening before people showed up, though entertainingly enough we were positioned as the headlining band on a flyer which had been revised that week.
It was also weird because the sound lady insisted on having this really really bright spot light (like, full moon spotlight) focused on my face the whole time so the 12 or so people in the room could see nothing but my squinty face. It also made the stage look like some weird comedy club. I asked her to dim it or turn it off, but she’d left the room. We cut several songs off our list to save my face from the sunburn and my eyes from turning into two burnt sockets.
The rest of the show was totally chill and fun to hang out at. Rockabilly isn’t my thing, but this particular French rockabilly band (THE KOKOMOS) was cool - they were fronted by a stream-of-consciousness spouting older dude who kind of reminded me of Jello Biafra, and definitely lacked the misogynist/homophobic/redneck vibe that Rockabilly bands usually have. Both they and the Surf band (CANNIBAL MOSQUITOS, who played a fun set of costumed Surf wackiness ala Man Or Astroman) were super sweet and told us about all the punk bands they played in. I think they were trying to make us feel more comfortable on an awkward bill. Interestingly, between bands and after the show there was a big wall in the back of the club where they projected film (shot at the same club) of performances from all these fierce, lady-fronted local bands of a decidedly avant-punk persuasion. Oh, the irony.
One cool thing was that the club rented out a flat for housing bands after shows, so we had a great place to sleep and the other bands were really nice and considerate. John went to park the truck and got lost in the rain, wandering around the maze of medieval non-grid streets for a while until someone pointed him to the right place, and he showed up soaked, but luckily there was heat and a shower. We woke up pretty early, went back to the club to get our equipment, and scouted out some really amazing food for breakfast. Up till this point in the tour we’d pretty much been fed at every show so this was our first time getting food on our own. We went to a bakery and got some really tasty potato pie things, and shared a salad.
Day 12: Paris – France
The show took place in the legendary squat La Miroiterie, which has been under threat of closing down for the past few months. Last we heard they have secured the space until March, hopefully they can continue beyond that. It was here that we met up with our buddy Seb Radix, who as we mentioned before had helped us book all of the French dates (except for Nice, which John booked). John had known Seb since Fleshies toured Europe in 2003, but this was my first time meeting him and I quickly understood why John loves this guy so much - he is a seriously charming and awesome dude. Seb booked this particular show through our mutual friend Chris from the excellent Paris power-pop/punk (but not pop-punk) band YOUTH AVOIDERS, who we played with in Oakland a few months back. All the Youth Avoiders guys were there, actually, and hanging out with them again was really fun - great guys who really work hard to help the Paris scene thrive. They made some killer vegan food for us, too.
Megan with the Youth Avoiders!
We hung around for a while, talking with friends while trying to avoid a really strange and incredibly drunk hanger-out older squatter dude who looked and talked like a French punk Popeye, and suddenly a pretty big crowd showed up seemingly out of nowhere just in time for the show to start. The first band was KRIGSKADE, a local Parisian hardcore band. They were really great, and set the energy and intensity level for the show pretty high right off.
Next Seb set up on the stage for his one-man band, SEB AND THE RHAADICKS. Within minutes of beginning his set, everyone in the room dropped their jaws – Seb totally ruled it, falling somewhere on the spectrum of left-field pop inhabited by weirdos like 50 Million, Hickey, and even Andrew WK but very much his own animal. I could not believe we’d get to hangout and play the rest of our French dates with this guy – a total genius.
Seb and the Rhaadicks in Paris
We had a great time playing our set, and people definitely seemed to “get it”. Our friend Gael told us that while we played there was a dude having a transcendent experience, which compelled him to shout out colors and emotions in our general direction. I was also really stoked to see a huge pack of ladies upfront. It was a really good time.
The last band was ABSURDO from Spain. They played a 15 minute set of pure amazingness. We didn’t realize it at the time, but these dudes were going to quickly become our buddies and we shared the stage for 3 more shows on the rest of our tour. They are basically some of the greatest dudes, and will be touring the West Coast in a few months, keep your eyes peeled! They play old school hard core with great lyrics, a weird edge, and some serious melodies lurking inside – think ARTICLES OF FAITH, ZERO BOYS, VITAMIN X, VOID…My absolute favorite kind of HC.
Absurdo in Paris
After the show Gael and Odile took us on a whirlwind tour of Paris – late night. We saw the Eiffel tower do a fancy light show, almost got into a fight in traffic, got some serious history lessons about the city courtesy of Odile, had a terrifying swirl around in the wildest roundabout in Europe, and saw Napoleon’s penis obelisk that he stole from Egypt. European history is full of stolen penises, it seems, with the most legendary penises being taken from Africa by mean little colonial despots (Napoleon and Mussolini). It seems like they didn’t even make any effort to cover up the psychological subtexts lurking in plain sight. I guess subtlety isn’t exactly the strong suit of megalomaniacs.
Seb’s color-coordinated socks, rockin’ out
We crashed at Gael’s place, and in the morning he made us the fanciest breakfast with tofu scramble and home-baked carrot cake. John and I realized that we didn’t have to be at the next show till later that evening, so we took the subway to the Louvre so I could see the winged Nike statue (nothing to do with shoes).
We saw lots of other stuff too, including the Mona Lisa, which had a surrounding mob so thick I assumed she would do a little dance or something for us, at least. After 10 minutes of total stillness, however, I came to realize that the Mona Lisa must take the Cat Power approach to stage antics.
"I thought the album was pretty good, but OMG, ML is SOOO boring live."
I wish we could have hung out in Paris longer, but we had to hit the road early to take the non-toll roads to Nevers, where the next show was. The rumors about France’s highway tolls are true – that junk is hella expensive and so we had to be really clever about avoiding the toll roads as much as possible.
Day 13: Nevers, France – Into the depths of the catacombs
Megan hard at work invoking the powers of Medieval Metal and the ghosts of plague victims
Nevers is a city which was built early in the Medieval period, over 1000 years ago, under which there is a maze of catacombs (as with many cities in France). We pulled up to the apartment building where the show was (Chez Gerard), on a tiny street that was built before cars existed and people walked or rode horses. Our hosts (Arno, Yogui, and Gerard) were incredibly sweet and helped us carry all of our equipment down the narrow stone staircase, which took several turns till it got to the bottom room which the PA was set up in. It was totally a set for a metal music video. The vaulted ceilings were made from ancient hand cut limestone blocks, and were in a pretty advanced state of decomposition. I tried to casually lean against the wall and felt the stones crumble like cheese – and they kinda smelled fermented, and the room was super humid (we were told not to leave any equipment there overnight because it would decompose). I was a little worried about the ceiling caving in when the bands turned up the bass, but that didn’t seem to have been an issue for the last few hundred years so why worry now.
Behind the stage area was a black curtain, and behind that curtain the catacombs apparently seemed to extend far off into the darkness. Our hosts told us that when they were digging a little bit to even out the stage area, they ended up finding bones (they didn’t know what kind), so they quickly reburied them and left the floor lumpy - after all, Medieval catacombs were notoriously used as ossuaries and burial places for the dead during the cemetary-overflow years of the black plague, so it was probably a good idea not to dig too deep. One thing that was actually a bummer was that there was no ventilation at all, so when people started smoking the air grew thick, but it also kinda added to the mood of a medieval torture dungeon. SEB AND THE RHAADICKS brought it yet again, playing in an atmospherically-lit small niche at the bottom of the main staircase.
Seb setting up his equipment, Nevers
Also playing were a band called MUNDO MERDE (World of Shit), who were a fierce hardcore band with a really tough lady singer. We were stoked!
Mundo Merde, Nevers
After the show, Gerard graciously let us sleep in his room for the night while a party raged in the apartment till the wee hours. Unfortunately, we used my main clothes bag to block the space under the door to keep smoke from pouring in all night, and we forgot the bag the next day. Yogui sent it to Flo’s house in Germany, but that meant we could not get it till the end of the tour, and it was the bag that had all my warm jackets…So fingers were crossed that the weather wouldn’t be too bad.
Yogui, Arno, John, Seb in Nevers
Day 14: Lyon France – Geraldine makes the best lasagna known to humankind
Our touring buddy, Seb, is from Lyon, so this show was kind of a homecoming and was a great chance for us to feel at home and hang out with him and his awesome girlfriend Geraldine. We got to do laundry (yeah!), and listen to records. Apparently Seb has a soft spot for the Chili Peppers, which we teased him about profusely. He says it is because his kids like them, but we know the truth.
The show was pretty rad, and we got to meet a lot of Seb’s friends. He played his songs with a full band for the first and last time at that show – and it was their record release. Pretty special. We had some technical problems but played intensely. There were a couple of French music blogger/zine kids who showed up to see us and were super-excited, hanging out at the merch table with us all night and drawing pictures for us then standing up front and dancing for the whole set. It was a fun night. Here’s a video Seb made of us playing in Lyon:
The next morning we went to the music store to pick up a new cymbal, and the crash we bought for 35 Euros seemed like a great deal…until we discovered that it would dent, like tinfoil, every time it was hit.
John testing out some new stick sizes for Megan at the music store in Lyon
Day 15: Marseille, France – Hanging in the basement with Benoit
Holy Frost, Marseille
Marseille is a pretty intense city, but I actually enjoyed the craziness of driving through it. It was late in the evening so we didn’t see much other than the city streets, but it was obvious that there was a lot of wildness going on all over; we got to really witness quite a bit of the city life since traffic was so slow it took about 15 minutes to drive each block. The space was in the basement of a speakeasy. Benoit, our friend from the legendary French duo Ed Mudshi, set up the show with his new sludge/mathrock duo, HOLY FROST, in which he was playing drums. It ruled. Then Seb played and he ruled.
Seb in Marseille
We spent the night with Benoit in the basement apartment of his family’s home. Benoit showed us pictures of his now 98 year old grandmother in the 1960’s, farming in what was now the front yard, and their house being the only house for miles. Since then the family sold off the farmland, and the house is surrounded by urban housing developments. That’s how cities grow and sprawl I guess, for better or worse. I got to meet his grandmother, Rose, for a moment, and I couldn’t believe she was 98! She seemed really happy. The next morning Benoit’s mom came by and cooked us an amazing lunch/dessert snack from Sardinia (where she is from), a fried pastry-type dish stuffed with a sweet cheese and topped by turbinado sugar. It was really good. Extending from the night before, there was a really crazy wind/rain storm which followed us all the way to Nice.
Here’s a video that Seb made that includes footage of Benoit’s mom making the Sardinian treat, plus live footage from the next day in Nice (Halloween!!)
Day 16: Nice France – Happy Halloween from Mean America
We got to Nice a little early hoping to have a chance to see the city, but it was raining really hard. We bought our first souvenirs of the trip – two umbrellas (which we couldn’t take on the plane). The show space was located in the city center, so we were able to walk around and see the old town. It was pretty much how I’d pictured France to be – kind of like old town Perugia, which is where I lived when I was a student in Italy. Apparently Halloween is kind of a new holiday for France, but the punks totally took it seriously and dressed up. The show space (Le Volume) was decorated and ready for party times, as you can see in the video above. The awesome flyer for the show is below.
Two of the other bands were two-pieces, which was pretty cool; CHILD MEADOW is from Toulon and played some great, intense emotional postpunk/hardcore (and were good friends with our Oakland buddies Big Kids). MALAISE (pictured below) is from Italy/Portugal and were two ladies playing some cool atmospheric indie-punk with beautiful vocals, it turned out that the guitarist lived in the bay area for a long time.
Our set was pretty wild and people were really responsive, though some crazy middle-aged lady started randomly hardcore dancing during our set (??) and smacked some photographer dude in the mouth…enthusiasm appreciated, though a bit misdirected. Seb killed it as usual, of course, and incited some wild ballroom dancing from college kids dressed up in animal costumes. We were sad that this was our last show with him, and in the morning it was really hard to say goodbye - we hope to lure him out to the west coast to spread his brilliance.
Saying goodbye to Seb…for now…
Our host, Nico, is really awesome and we had breakfast with him and his lady friend the next morning at a cafe that specializes in regional Provencal food. Like I said before, we weren’t really able to eat out much on this tour so this was a special occasion. Afterwards we walked to the beach and it was hard to keep John from jumping in all the way. We regretfully said goodbye to our friends and headed down the coast towards Italia.
Yep. Totally the Mediterranean.
Raf and John on a hike in Edinburgh Raf and his piano Cute English Bulldog Megan and the Crag, Edinburgh Megan and the weird stone witch hat monument/secret chamber, Edinburgh Swan pond, Edinburgh Angel of the North statue, outside Durham In Evil Hour, Durham